It’s another seismic design shift, and one that should completely change the atmosphere of the game. There are only a few locations where you know you’re safe from another appearance from that trenchcoat. Once he makes his entrance, you feel pursued by him for the rest of the game. But in the 2019 version, Capcom treats him like Nemesis from Resident Evil 3. In the original, he turned up to absolutely ruin your subsequent night’s sleep only at predetermined key moments. How else can you explain that, other than in woolly terms like spirit? It’s completely changed in the remake, yet feels like the same experience we shot through all those years ago. The shooting of, and evading from, zombies is a central tenet. These are really fundamental aspects to the game. The shooting of, and evading from, zombies is a central tenet It’s simply easier to move, and easier to aim.
You’d just stand there and shoot every undead enemy in blasé fashion because you’d have about 7.5 hours to pop off that headshot before they got close. If they moved at the same speed they did back in ‘97, the Resident Evil 2 remake would be the easiest videogame in history. So the zombies have to change their behavior in kind. The former climbs down from the arty angles in the corners of high-ceilinged rooms and follows you over the shoulder, and the latter works like any contemporary third-person shooter. The camera perspective and the controls are both totally reworked in the 2019 remake. It takes them ages to close the gap between themselves and Leon’s delicious meat-body, which works great, because it also takes Leon ages to face them, aim his pistol, and fire. Zombies in 1997’s Resident Evil 2 are slow, lumbering things. The whole game operated at the speed those two elements dictated.
It seems like a small point – the controls were slow, and the camera perspective played with your depth perception sometimes, so what? – but it’s not. Resident Evil 2 was infamous for its fixed camera angles and ‘tank’ controls, which conspired together to turn the most straightforward walk down a corridor into something akin to mid-bungee jump keyhole surgery. What’s impressive, from a Resident Evil fan’s standpoint, is how much Capcom changed in the 2019 version without raising an eyebrow. But if there’s a more precise way to describe how a game’s visuals, art direction, sound effects, score and mechanical feel all come together, framed in the context of the pop culture when it arrived, I don’t know it. Resident Evil 2 was infamous for its fixed camera angles and ‘tank’ controls If you’ll forgive an over-used phrase, Resident Evil 2’s remake really captures the spirit of the game.
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It’s a feeling you usually only get in dreams, when suddenly you’re conversing with the TV character or you’re actually, at long last, standing inside Jurassic Park. No, in Resident Evil 2’s remake you simply sit there in stunned awe while some sacred and magical piece of your childhood is made material.
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